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contents of the 2003:1 issue |
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Editorial |
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Continuity
and Change in Swedish Prose Fiction: Lars Jakobson, Ellen Mattson
and Literary Trends since 1960
Ingrid Elam
transl. Sarah Death
intr. Linda Schenck |
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Snow
Ellen Mattson
transl. Sarah Death |
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In
the Red Queen's Castle
Lars Jakobson
transl. Neil Smith |
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Camera
Eva-Marie Liffner
transl. Anna Paterson |
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Clouds
Elisabet Hermodsson
transl. Eva Claeson |
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Via
Liljendal
Susanne Ringell
transl. David McDuff |
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Translation
Prizes |
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Bookshelf
ed.
Sarah Death |
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Just
Out & Coming Up |
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1999
Supplement: New Writers
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Maria
Larsson: Mimers Brunn (Mimer's Well)
As
so many other Swedish prose writers, Maria began her writing
career with poetry. When at the age of twenty she published
Blå (Blue), the critics were gentle on her, perhaps
on account of her youth. She was not yet convinced that writing
should be her vocation. After a brief spell of academic life,
she took off, travelled in the Iberian peninsula and ended up
as a bartender in Lagos, south-west Portugal. While in Portugal
she completed Honung (Honey), her second book
of poetry. Then came the whole issue of novel-writing. "A
novel has so much more text in it than poetry, and Im
not the kind that spouts. I like to polish my words. As for
dialogue, its completely new to me, but Im enjoying
it." Mimers Brunn, in her own words, is "an
apocalyptic vision." Currently living in Vancouver, Maria
Larsson recently finished another novel. In spite of the commercial
lure of the English language, she continues to write in Swedish.
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Claes
Holmström: Tredje stenen från solen (The
Third Rock from the Sun)
The
information on Claes Holmström provided by his publishers is highly
Stockholm-centric. Born: Stockholm, December 1966. Grown up: in
Stockholm. Lives: in Stockholm. Education: dropped out of a university
course in cultural studies. In common with some of the other featured
new writers he has worked as a postman, to which he
added a spell as a janitor in the 1980s. His debut came in 1994
with Tredje stenen från solen, followed two years later by
Startpistolen (Starting Pistol). He cites his ambitions as
"fulfilling my slacker ambitions, publishing a monotonous 500-page
account every three years of countless visits to McDonalds.
Then, after twenty years, suddenly being recognized as an independent-minded
member of the cultural elite
" Holmström describes his
novel as an account of contemporary life that will either endure
or quickly be forgotten, "in which case it wasnt a good
book." In the meantime he remains a therapy junkie, eating
Cipramil and waiting for "something to happen
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Alexander
Ahndoril: Thaiboxaren (The Thai Boxer)
Alexander
Ahndoril has been a presence in the cultural landscape for
a while. Born in 1967, he is remarkable for his prolific
output in very few years: six novels and ten plays written
for the stage. Nevertheless, he remains an enigmatic figure,
though one of the most accomplished writers of his generation.
"What I want to give the reader is a suggestive world,
a remarkable journey that enables a real displacement into
ethical and aesthetic questioning
" He was recently
commissioned to adapt his 1993 novel Den magiska disciplinen
(The Magic Discipline) for the screen. "Some may conclude
that sitting and dreaming of imagined worlds is a semi-autistic
activity. On the other hand, the real world is also an imaginary
creation", he adds. For more information on Ahndoril,
access his homepage: http://home6.swipnet.se/w-995431.
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Kjell
Westö: Drakarna över Helsingfors
(Kites over Helsingfors)
Born
in Helsinki in 1961, Kjell Westös debut was in 1986 with Tango
Orange, a book of poetry that combined imaginative thought with
reflections on social responsibility. He spent the greater part
of the 1980s working as a journalist. The experience seems to have
been a formative one, at least politically; he once commented that
he should like to write "an elegy for a lost generation."
His view of the 1980s is that they created a political and cultural
vacuum for its young: a world without any solid foundations. This
preoccupation is very much reflected in his epic treatment of a
huge gallery of characters in Drakarna över Helsingfors.
In the children we see a Homeric nobility, but as they grow older
they are shown in debased form, products of an intensely commercial
era. Yet there is not sadness alone, but also a deep, almost sentimental
love of Helsinki in all of its guises. Westös books have been
published in Sweden as well as Finland. His short story collections
including Utslag (Rash), winner of the Finlandia Prize
are also published in Finnish.
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Magnus
Alkarp: De gyllene åren (The Golden Years)
This
is his own account of himself: "Was born, went to school
and performed dastardly deeds in libraries. Moved to Gothenburg
in 1977, studied and worked after that as a composer and musician
during the 80s. Started a family, studied (among other things)
archaeology at Uppsala University, then worked as an archaeologist.
Had another child (this time in the middle of Stone Age exam)
and wrote my debut novel De Gyllene Åren (1996) in
a bizarre provincial hotel whose guests included a couple
of archaeologists and around thirty Chinese welders. Played
the piano. After my debut, worked on film and TV scripts,
as an editor on the culture pages of Upsala Nya Tidning, and
continued my archaeological work. Meanwhile, worked on my
second novel Mästaren vid vägens slut (Master at the
End of the Road). Frequently I go to Rhodes to write.
For some reason the climate on the islands western coast
is perfect for this kind of activity. Whenever people get
it into to their heads to ask why I write, I always try to
change the subject."
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Johanna
Nilsson: Hon går genom tavlan, ut ur bilden
(She Walks Through the Painting, out of the Picture)
Like
many of the writers publishing first novels in Swedish, Johanna
Nilsson was shockingly young (just twenty-three) when she published
Hon går genom tavlan, ut ur bilden (1996). Accordingly, her
biographical details read more or less like any other undergraduate:
likes sport, wants to travel, etc. However, the remarkable thing
about Johanna Nilsson is the way she burst onto the scene
like a perfect butterfly from the pupa with an assured and
well-structured first novel. Potentially, it delivered a direct
hit at the cherished cult of Scandinavian childhood celebrated in
the works of writers like Astrid Lindgren; but Nilsson never resorted
to the cynics easy path. Frustrated love and longing are always
bubbling in her novel, never far beneath the surface. Reviewed in
Arbetet, her debut was described as "the best novel
of its kind of the decade". Nilsson recently published her
second novel, Flickan som uppfann livet (The Girl Who Discovered
Life), also this a story of the child. At the end of it all,
one finds oneself asking a question: is it really possible for children
to be as nasty as this?
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Gabriella
Håkansson: Operation B
"Novels
start in different ways," Gabriella Håkansson writes.
"This one began in March 1993. Somewhere beyond sleepy
daydreams and a distant radio, there was a voice; a voice
that spoke in clear, distinct phrases: I weigh my every
word, I attach value neither to destiny or coincidence; I
am faithful to the laws of science. It may seem strange,
but my novel sprang out of this very phrase
" Håkanssons
debut, in 1997, was lauded by the critics, one of whom noted
that "Operation B is a talented debut , both intellectually
sharp and admirably controlled, in a tradition that reaches
back to Poe, Hoffman, Borges and Calvino." Gabriella
Håkansson lives in Stockholm, where she writes for a variety
of publications. As yet she has not produced a second novel,
citing the French writer Valery Larbaud who once suggested
that producing too many books was as unpleasant as talking
too much. She has, however, written an on-line sequel to Operation
B which can be accessed via the Bonniers homepage: www.bok.bonnier.se/abforlag/BOCKER/operationb/Default.htm
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